Two women in hijabs and a man in a plaid shirt walk in a parking lot with their backs turned to the camera.

The Feeling of
Being Watched

Directed by Assia Boundaoui

When a filmmaker investigates rumors of surveillance in her Arab-American neighborhood in Chicago, she uncovers one of the largest FBI terrorism probes conducted before 9/11 and reveals its enduring impact on the community.

In the Arab-American neighborhood outside of Chicago where journalist and filmmaker Assia Boundaoui grew up, most of her neighbors think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers tens of thousands of pages of FBI documents that prove her hometown was the subject of one of the largest counter terrorism investigations ever conducted in the U.S. before 9/11, code-named “Operation Vulgar Betrayal.”

With unprecedented access, THE FEELING OF BEING WATCHED weaves the personal and the political as it follows the filmmaker’s examination of why her community—including her own family—fell under blanket government surveillance. Assia struggles to disrupt the government secrecy shrouding what happened and takes the FBI to federal court to compel them to make the records they collected about her community public. In the process, she confronts long-hidden truths about the FBI’s relationship to her community.

THE FEELING OF BEING WATCHED follows Assia as she pieces together this secret FBI operation, while grappling with the effects of a lifetime of surveillance on herself and her family.

Impact Partners Presents,
A Multitude Films &
Inverse Surveillance Project Production,
In Association with Naked Edge Films, Ford Foundation, Chicken & Egg Pictures, and Catapult Film Fund.

2018 / 87 MINS

RECIPIENT OF THE LIVINGSTON AWARD FOR EXCELLENCE IN NATIONAL REPORTING


About
the Team

An Algerian American woman with medium-tan skin and long curly hair smiles softly at the camera. She wears a black shirt and gold necklace.

Assia Boundaoui — Director
Assia is an Algerian-American journalist and filmmaker based in Chicago. She has reported for the BBC, NPR, PRI, Al Jazeera, VICE, and CNN. Her debut short film about hijabi hair salons for the HBO LENNY documentary series premiered at the 2018 Sundance Film Festival. Her feature length debut THE FEELING OF BEING WATCHED, a documentary investigating a decade of FBI surveillance in Assia's Muslim-American community, had its world premiere at the 2018 Tribeca Film Festival. She is currently a fellow with the Co-Creation Studio at the MIT Open Documentary Lab, where she is iterating her most recent work, the Inverse Surveillance Project. Assia has a Masters degree in journalism from New York University and is fluent in Arabic.


A Palestinian woman with light skin and brown eyes smiles at the camera outdoors. Her hair is parted to the right side and sits in a braid on top of a paisley, multicolored scarf.

Rabab Haj Yahya — Editor
Rabab Haj Yahya is an Emmy-nominated documentary editor and a Sundance Edit and Story Lab Fellow. Her recent work includes the award-winning feature documentary SPEED SISTERS (HotDocs 2015), LOVE THE SINNER (Tribeca 2017) and the web series THE SECRET LIFE OF MUSLIMS (Peabody Finalist, Vox and USA Today, 2016). Rabab has also edited numerous documentaries commissioned by the Al Jazeera Documentary Channel, including ENEMIES OF THE SOUTH (2015), which was featured in multiple prime-time slots on the network. In between projects, Rabab has dedicated a significant amount of her time helping aspiring editors and filmmakers, through training and pro-bono consultations in the Middle East, West Africa, and the Balkans. Rabab speaks English, Arabic, and Hebrew fluently and currently lives in New York. 


A black and white headshot of a Singaporean woman with thin framed glasses and a black pixie cut. She smiles at the camera with her hand to her face.

Shuling Yong — Director of Photography
Shuling Yong is a Singapore-born, Chicago-based documentary filmmaker with a passion for social change. She has worked on films like RADICAL GRACE (2015, dir. Rebecca Parrish), IN TIME TO COME (2017, dir. Tan Pin Pin), and films by the award-winning Chicago media collective Kartemquin Films such as IN THE GAME (2015, dir. Maria Finitzo), and AMERICA TO ME (dir. Steve James). Shuling’s most recent film GROWING ROOTS premiered on the Discovery Channel. She is now directing her first feature-length documentary, INTUITION, which was selected for Good Pitch² Southeast Asia 2017. Shuling is a Kartemquin Films Diverse Voices in Docs Fellow, a participating filmmaker at the BRITDOC Queer Impact Producers Lab, the DocNet Southeast Asia Strategy Workshop and the KOMAS Video For Change Forum.


A white woman with long, wavy black hair stares seriously at the camera. She wears a black top with a white collar.

Molly Crabapple — Illustrator
Molly is an artist and writer in New York. Her memoir, Drawing Blood, was published by HarperCollins in 2015. Brothers of the Gun, her illustrated collaboration with Syrian war journalist Marwan Hisham, will be published by One World/Penguin Random House in May 2018. Her reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, VICE, and elsewhere. She has been the recipient of a Yale Poynter Fellowship, a Front Page Award, and a Gold Rush Award, and shortlisted for a Frontline Print Journalism Award. She is often asked to discuss her work chronicling the conflicts of the 21st Century, and has appeared on All In with Chris Hayes, Amanpour, NPR, BBC News, PRI, and more. The New Yorker described her 2017 mural "The Bore of Babylon" as "a terrifying amalgam of Hieronymus Bosch, Honoré Daumier, and Monty Python’s Flying Circus.” Her art is in the permanent collections of the Museum of Modern Art, the Rubin Museum of Art and the New York Historical Society. 


A Puerto Rican woman looks to the side while standing in front of a teal background. She has short, sideswept bangs and bright pink highlights at the end of her hair. She wears brown glasses and her neck is covered in purple glitter.

Angélica Negrón — Composer
Angélica is a Puerto Rican-born composer and multi-instrumentalist. She writes music for accordions, robotic instruments, toys, and electronics as well as chamber ensembles and orchestras. Her music has been described as “wistfully idiosyncratic and contemplative” (WQXR/Q2) and “mesmerizing and affecting” (Feast of Music) while The New York Times noted her “capacity to surprise” and her “quirky approach to scoring”. Her music has been performed at the Bang on a Can Marathon, the Ecstatic Music Festival, and the 2016 New York Philharmonic Biennial, and she has collaborated with artists like Sō Percussion, loadbang, the Albany Symphony, Face the Music, A Far Cry, and American Composers Orchestra, among others. Angélica is currently a doctoral candidate at The Graduate Center (CUNY), where she studies composition with Tania León and focuses on the work of Meredith Monk for her dissertation. She's a teaching artist for New York Philharmonic's Very Young Composers Program and Lincoln Center Education working with learners of all ages on creative composition projects. Angélica is currently working on a lip synch opera titled Chimera for drag queen performers and chamber ensemble exploring the ideas of fantasy and illusion as well as the intricacies and complexities of identity. 


Producers
Assia Boundaoui
Jess Devaney

Co-Producers
Amel Monsur
Daniah El-Harezi
Din Clarke
Anya Rous

Consulting Producers
Lyric R. Cabral
Ingrid Jungermann
Jihan El-Tahri

Co-Executive Producer
Christina Abraham

Associate Producers
Sohib Boundaoui
Colleen Cassingham
Samer Rashid
Florian Wilisch

Executive Producers
Jim Butterworth
Daniel J. Chalfen
Dan Cogan
Jenny Raskin
Geralyn White Dreyfous
Debra McLeod
Jay K. Sears
Bill Harnisch
Ruth Ann Harnisch
Alexa Poletto
Michael D. Mann
Barry W. Rashkover
Vijay Dewan

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